in nyc

Lindsey Caldwell


Lindsey Caldwell packing up her Brooklyn studio


Tell us about your favorite childhood object...

This was my first record player ever. I drove my parents crazy with it. I had a Sesame Street alphabet record (my favorite song was the D song). I had a Strawberry Shortcake record (my favorite song was Strawberry Rap "say straaaw straaaw strawberry rap cuz you like it like that"). Then my first real record was a 45 of rapture by Blondie. I played it so much that I burned out the record and had to get a new copy!! I used it from time to time once I got older when I'd go digging for records at places that didn't have listening stations. It now mainly collects dust. I will most likely keep it forever.

When did you live in Atlanta? How did you end up there?

I lived in Atlanta for 41/2 years. I ended up being there to be closer to my family.

At what point did you realize music was something you wanted to pursue?

I grew up listening to music (this was in St. Louis, MO) and I was a latch key kid so I came home and took care of myself and my little sister after school every day. We spent a lot of time watching MTV. When I was living in Atlanta and had started Frank with the Malbons. I got the chance to talk to some other DJs and I had always been very interested in music and DJing seemed like the perfect compliment to writing about music for Frank.

Describe your sound. How did you get into playing that type of music?

There's not really a neat way to sum up what I play. I guess you could say I play classics, but then I still play current music... Anything that is soulful and good.

Which music medium do you prefer to use and why? Vinyl? CD? MP3?

I prefer the sound of vinyl, I like the convenience of playing Serato and only having to bring my laptop to gigs. Before I switched to Serato I was bringing about 3 bags of records to gigs and carrying them myself. I went to the doctor one day and she was like, "What are you carrying on your right shoulder?! Whatever it is stop because it's twisting your back." I switched to Serato the next day. You just have to be so versatile these days that just bringing a couple of bags of records isn't going to cut it. Especially since I've been doing a lot of residencies where I play 3-4 hour sets lately.

How do you discover new music? any secret resources you want to turn us onto?

I go out and listen to other DJs play. I read a few blogs to keep me up to date on new music. I try to read books that cover the history of certain styles of music. I buy old albums and listen to them from start to finish


Take us through your creative process.

Right now I treat it like homework. I study music and other DJs and then create sets on what I think will work best for me and what people respond to out in the club.

How would you say Southern culture/living in Atlanta has influenced your work??

Atlanta is just a slower more chill pace. It helped me prepare for living in New York because before that, in Arizona, I was younger and on top of that it wasn't the kind of city for a music career. I also was exposed to some amazing artists at a time where things were bubbling like crazy in Atlanta. Everybody was open to everything, you could go to a rave and see the Dungeon Family, Outkast and TLC in the drum and bass room all the way up in Gwinnett County, and then hear Donnie, India Arie, the Roots play at tiny little venues. You could hang out with the weirdos at MJQ before it moved when it was next door to the Phoenix on Ponce de Leon. It was just an amazing time and I had some amazing friends who I went everywhere with and I think having those years there really helped shape my point of view when it came to music.

Who/What are some of your inspirations?

I am constantly inspired by my friends, I feel really lucky to be able to have such talented people around me and then just walking around the city really inspires me sometimes. I try to walk around and remember what it was like the first time I visited New York. Madonna was doing a promo appearance for "Who's That Girl" in Times Square and I had family living in Jamaica, Queens and I just got to see a bunch of the boroughs, see people wilding out in the streets and feeling the energy of all the people and my nervous mom and her friend trying to keep up with me haha. The whole time I was just walking and looking up at the sky and I remember just thinking how different it was from anywhere I'd ever been. I was a little girl then and I knew from that trip on that I wanted to live there. And here I am.

Who are some of your favorite Atlanta artists??

Does everyone say Outkast? Outkast, Sleepy Brown, Goodie Mob, The B-52s, Monica, TI (swoon!), Otis Redding, Keith Sweat, Jermaine Dupri (in the late 90s), Gladys Knight & the Pips

Where is your favorite local hang out?

My house/stoop

What music/album are you currently listening to?

I listen to a ton of music all the time. My new project with The Twilite Tone is all I am listening to lately. Hopefully you'll hear about it.

What is one thing you love about your life?

I love that I can just pick up and go. My husband and I have set our lives up so that we have a lot of free days together (then work at night) and we aren't tied down to anything so if we want to travel we can. I love that and I love that despite all of the stress of being a freelancer, I get to do what I truly love for a living.

check out lindsey on www.djlindsey.com her new blog will be up soon

Taka Anai


Taka Anai in his Brooklyn studio


Tell us about your favorite childhood object...

Growing up in Japan, I used to watch this 1960's Japanese sci-fi / super hero television show called Ultraman. Ultraman has an extensive family and each family member is a super hero. Toys were made of these characters so I would collect them along with its Kaiju / Monster figures. Whenever Ultraman came on, I would record the show's theme song using my father's boombox. I would put it right in front of TV to record the music all the while telling my family to be quiet. This was a common practice because I would do the same for all my favorite shows. I was recording 70's Japanese Anime songs, sci-fi / super hero theme songs, and detective TV drama songs. I guess you can say that was my first mix tape. Collecting these figures eventually evolved into collecting vinyl records. 

How long did you spend in Atlanta? How did you end up there?

I lived in Atlanta from 1993 to 1999. I moved there to attend Georgia State University 

At what point did you realize music was something you wanted to pursue?

Although I was always interested in music, high school was when it all started. I was living by myself at the age of 15 as I attended a high school that was located in another city away from my home. Obtaining freedom from my parents' supervision, I started going out to clubs with my friends. I became friends with DJs, and that's when I realized that's something I wanted to do. It was like 1989.

Describe your sound. How did you get into playing that type of music?

Anything soulful, eclectic beats influenced by Jazz, Bossa Nova, Funk, Soul, to Hip Hop, Nu Jazz, House, Broken Beats and beyond.

Which music medium do you prefer to use and why? Vinyl? CD? MP3?

I prefer vinyl because that's what I have been using. However, living in NYC without a car, I'd like to keep it light when I go to DJ. So, I've been using Serato lately.  But I am open to all options to be flexible. 

How do you discover new music? any secret resources you want to turn us onto?

Internet radios, music blogs or my friends who run an online music store. I also get email newsletters from record labels that I keep an eye on.


Take us through your creative process.

It is very unexpected and accidental. I usually start with the rhythm portion. I loop it and experiment with it until I create beats I like. Then, looping the beats, I add other elements. I keep playing around with it until I get the melody or phrase I like. 
     
How would you say Southern culture/living in Atlanta has influenced your work??

While living in Atlanta, I met a lot of music enthusiasts. Since the city is relatively smaller compared to NYC, it was easier to stay connected with DJs and musicians and to create a scene that crossed over different music genres. I think the friendliness of the south gave me an appreciation and openness to the diversity of music.

Who/What are some of your inspirations?

Early mornings sipping on a cup of coffee in a neighborhood cafe.

Where is your favorite atlanta hang out?

I haven't been back to Atlanta in a while. But while I lived there, my favorites were Homage Cafe, Old/New MJQ, Ying Yang Cafe, Cafe Diem, Dotties, Tortillas, Eats. 

What music/album are you currently listening to?

Yusef Lateef's Detroit, Flora Purim/Butterfly Dreams

What is one thing you love about your life?

The fact that I am enjoying it.

Catch Taka at the www.thescoutmag.com anniversary party in September. 
He is finishing up a few tracks, and they should be out soon... check out his website for updates www.loudlydim.com/ 

Yusuke Hama


Yusuke Hama in his Brooklyn studio


Tell us about your favorite childhood object...

I can't remember the exact Christmas that Santa brought me the Millenium Falcon, but I do know that it was the most badass thing I owned up to that point in my life.  I was more of a collector and admirer of toys when I was a kid.  I even kept the original boxes to things.  I don't remember ever flying it around or playing with it like they did in the commercials.  "I got you now Darth Vader, prepare to meet your doom! pweew pweew!"    Also, for some reason, there are 2 identical Jedi Luke's sitting in it.  No Han or Chewie.

When did you live in Atlanta? how did you end up there?

I was born and raised in ATL.  I had a brief stint in LA when I was in 2nd and 3rd grade, but my parents moved us all back back to the ATL suburbs in 4th grade.  

At what point did you realize music was something you wanted to pursue?

My parents made me play music since I was really young.  It probably wasn't until my early teens that I really started to enjoy it.  
And It wasn't till until my young adulthood that I realized that I didn't have to quit making music and get a 9-5 and play only on the weekends in a Jimmy Buffet cover band in Buckhead, and eventually end up like those guys jammin' out in the Viva Viagra commercials.

Describe your sound. How did you get into playing that type of music?

I don't know how to describe my sound.  I would say that technology has greatly influenced the way I approach music, and in turn, the way my music sounds.   It has allowed me to approach it in a way that is easier for me, like taking hours of film footage and editing it into a 4 minute short.  Rather than trying to record the one ultimate performance, I am more comfortable piecing together different elements of several great performances.  Sometimes all the different elements get really overwhelming in my brain, but somehow, I have to create some sort of structure out of it.  Some say it is my Japanese-ness that seeks structure. Ha ha.

Which music medium do you prefer to use and why? Vinyl? CD? MP3?

All of them.  Of course vinyl sounds the best, but I use all of it.  Music is music right?

How do you discover new music? any secret resources you want to turn us onto?

Friends

Take us through your creative process.

I think I may have covered this in the earlier question

How would you say Southern culture/living in Atlanta has influenced your work?

The south is pretty laid back. As much as I like deadlines and working fast, my natural tendency is to take my time on things. Atlanta encouraged that.

Who/What are some of your inspirations?

Who:  When I was younger, Badass Asian dudes like Christian Hosoi and Ryuichi Sakamoto.  As I am getting older, I am really inspired by my peers and people who are making a living at what they love to do.

Who are some of your favorite Atlanta artists?

Not necessary in ATL right now, but: 
Chris Vereen,
R. Land,
Lori Scacco
Deerhunter

Where is your favorite atlanta hang out?

eats: Buford highway
drink: Bookstore Pub or anywhere that is not super loud or crowded.
just to hang out and do nothing:  Videodrome 

What music/album are you currently listening to?

Right this second? Adron - "Burdworld"

What is one thing you love about your life?

My new Haro Dave Mirra 540air bmx bike

Yusuke is finishing up work on a solo record under the name Hamacide check out the links.  

www.hamacide.com
www.leyode.com

Leb Laze


Leb Laze in his Brooklyn studio


Tell us about your favorite childhood object...

My green worm toy was bought in my Dad's hometown of Georgetown, South Carolina at Rose's Dime Store when I was about 2 or 3 years old. According to my Dad, he went into the store with me to buy a newspaper and in passing I grabbed this toy and would not let go. He had to buy it for me. I referred to this toy as "my wum".

Green was always my favorite color. Everything that I had as a kid had to be green.

When did you live in Atlanta? How did you end up there?

I was born and raised in Atlanta and lived there until 2005.

At what point did you realize music was something you wanted to pursue?

Music has always been a major part of my life. I watched my older brother pursue music at a young age and anything that he did I wanted to do. I followed in his footsteps.

Describe your sound. How did you get into playing that type of music?

My sound is Ennio Morricone, New Order and DJ Toomp thrown in a blender....peppered with some Bomb Squad. This sound comes from watching too many horror movies as a kid, raiding my brother's record collection when he wasn't looking and, as a teenager, hanging with kids who measured cool by how much bass you had in your trunk (we're all partially deaf now).

Which music medium do you prefer to use and why? Vinyl? CD? MP3?


As a DJ I use all three, depending on the situation that I am in. For example, if I'm traveling to another country to DJ I'm going to want to pack light, so I am most likely going to bring CD's or MP3's. If I'm DJ'ing in the neighborhood, I'll pack records and CD's and alternate between the two. Vinyl will always sound better to me...but there are a lot of songs that I will never have on CD that I have on vinyl--and vice versa. I've come to the conclusion that digitizing my records just takes too much accumulated time out of my life. If I were rich i would pay somebody to do it. If anyone just happens to want to do it for free...HOLLA!!!

How do you discover new music? any secret resources you want to turn us onto?

I discover new music mostly through friends and family. Certain people have certain genres covered. My little brother, for instance, who lives in Mississippi, keeps me supplied with all the hot new Southern rap. My man Roberto keeps me supplied with all my Latin music. I'm not a huge internet person, but I do follow a few blogs. Awesome Tapes from Africa is a great blog and it's based off of tapes that this guy actually got from multiple trips to the continent. I definitely don't follow music press. I've always been able to find plenty of music through the amazing people that I'm surrounded by.

Take us through your creative process.

My creative process is based completely on experimentation. I basically try things until they sound pleasing to my ears. My songs will start as one thing and end up becoming something completely different. It might take a minute, but I do know when a song is done.

How would you say Southern culture/living in Atlanta has influenced your work?

One thing that is definitely unique to the South is its pace. Things just move a bit slower. This is how I was raised and it is definitely reflected through my music. Even when my music is fast...it's still s l o w. Laid back. And I love bass that BOOMS!!

Who/What are some of your inspirations?

My main inspiration that is a "Who" would have to be all of my brothers and sisters (4 total). Just the thought of them instantly gives me purpose and direction. Another inspiration of mine that is a "What" is the Michael Jordan documentary Come Fly With Me.

Who are some of your favorite Atlanta artists?

To name just a few is tough. There are so many people really killing it in Atlanta at the moment. One band that really has my attention is All The Saints. They're loud and dreamy...and they're drummer is nasty. These are three qualities that I love in a band. My man Zano is pretty unstoppable. Ben Lawless is a lawless genius. The whole Noot D'Noot crew is the modern day Funkadelic. Also watch out for Noot D'Noot's offshoot group, Effectiv. Those girls are pure, seductive Southern heat.

Where is your favorite Atlanta hang out?

I would have to say Aurora Coffee in L5P. I can't escape that place. It's definitely a meeting place for some great minds.....and some eccentric minds as well. That's what you have to love about that place though.

What music/album are you currently listening to?

This Hawaiian Instrumental Music album. That's all that it's called. It's the most relaxing music I think I have ever heard (if you know me well then you know that I've probably said that about a thousand other albums...but this time I really mean it). I listened to this on repeat while standing in line at the DMV the other day and it turned into such a pleasurable experience.

current projects:
I have two albums in one package coming out on Hoss Records in October. One is called MUSIC FROM CAVE DWELLERS and the other is called TRACKS & ARTIFACTS. You can listen to my music at http://www.myspace.com/leblaze. Yeeeees!!!

Roberto Lange


Roberto Lange in his Brooklyn studio
click image for larger view


Tell us about your favorite childhood object...

When i was born i was really sick with chicken pox and i was on the
verge of getting reye syndrome so i was in the hospital for a while
and that was the dude that took care of me.
When did you live in Atlanta? how did you end up there?

I ended up there after college I went to school in Savannah for 4 years and Atlanta was the closest thing  that seemed great. I started spending alot of time there in 1999. I actually lived in Atlanta 2004-2007: in Decatur for 2 years and Grant Park for a bit.

At what point did you realize music was something you wanted to pursue?

I can't think of one point, I think its been a long process of many points of realization.

Describe your sound. How did you get into playing that type of music?

Over the past couple of years of been focusing on me singing in my group Helado Negro. I write all the music on guitars, MPC, keyboards and whatever else I can get my hands on including my voice.

Which music medium do you prefer to use and why? Vinyl? CD? MP3?

I think all of them are great, I collect alot of records but listen to music on all formats, all these things are are vehicles for these peoples ideas.

How do you discover new music? any secret resources you want to turn us onto?

Friends

Take us through your creative process.

I think it's reactionary, its me strumming on a guitar, making a loop, banging on an object or humming to myself, it starts from there and everything else is unplanned.

Who/What are some of your inspirations?

My Family, My better half ( www.kristisword.com ) and David Ellis ( www.freshwatercatfish.org )

Who are some of your favorite Atlanta artists?

Guillermo Scott Herren
Ben Lawless
Chris Devoe
Leb Laze
Adron

Where is your favorite atlanta hang out?

Tara Theatre

What music/album are you currently listening to?

Victor Jara

What is one thing you love about your life?

Im alive today.

Roberto has a newly released album on Asthmatic Kitty for his group called Helado Negro, the album is called AWE OWE. check it out here:
http://asthmatickitty.com/helado-negro
they will be performing at 529 in East Atlanta on Wed. 09/09/09

J Stroke


J "Stroke" Ivcevich in his Brooklyn studio
click image for larger view


Tell us about your favorite childhood object...

Couldn't find my first/favorite which was a ratty old beanbag frog with a busted eye. This one was a close second and a hand-me-down from my mother's childhood days. An antique Jerry Mahoney dummy. Never got the gist of ventriloquism but loved his creepy grin and beat up wooden head. It also turns out my grandma made the suit after the original got worn out. This quite possibly led to my affinity for custom tailored suits and bow ties.

When did you live in Atlanta? how did you end up there?

1990 - 2004 I went to Emory University because I got accepted and it was a good enough school to please the folks. I appreciated the weather and music scene since I was coming from the relatively sleepy state of Indiana.

At what point did you realize music was something you wanted to pursue?

1983 Police Synchronisity Tour + 10 years at a summer camp playing music live every night for a captive audience of 7-15 year olds and my fellow counselors many of whom were cute young ladies.

Describe your sound. How did you get into playing that type of music?

Mega-eclectic-soulful-ambiance. I've played in hip-hop, post-rock, dub, Indian drum & bass bands, etc....Always striving for the next filtered through my personal taste.

Which music medium do you prefer to use and why? Vinyl? CD? MP3?

A mix of all keeps it flexible and interesting and in NYC, very practical.

How do you discover new music? any secret resources you want to turn us onto?

I have a freelance gig where I can check progressive internet radio stations, podcasts, etc while working. I also a have access to an exclusive site where members upload obscure and amazing music every day - Ethiopian Jazz, African Garage Rock, Cambodian street music, rare groove soul, 80's lost gems, contemporary hits, on and on and on. New York Noise: http://www.nyc.gov/html/nycmg/nyctv/html/music/nynoise.shtml

Take us through your creative process.

I usually work in a modular way based on a riff, loop or sample. I just keep piling on sounds and then strip away to arrange. Reductive composition in a way.

How would you say Southern culture/living in Atlanta has influenced your work?

From 1994 on, I hung out with a very active crew of musicians, DJ's and music enthusiasts. MJQ in both locations and permutations, Yin Yang and the early days of Nomenclature/Crescent Room were fertile and fun places where we all DJ'd, performed and talked endlessly about new music and old discoveries. There seemed to be a laid back and accepting attitude that allowed for a cross pollination of genres.

Who/What are some of your inspirations?

My old house on Marlbrook and the parties held there over the years were pretty inspirational. Gilles Peterson is a selector who has very similar tastes to mine. I've been listening to him for 16 years. Still solid. Many great live bands, outdoor concerts, etc...too many to mention.

Who are some of your favorite Atlanta artists?

Outkast, Prefuse and Cat Power are all great for carving out their own unique sound, sticking to their guns and being deservedly rewarded for it. Great to see Deerhunter and Atlas Sound succeed as well. I remember tolerating early Bradford experiments at Lenny's and was shocked and quite pleased to hear the evolution. Wonderful music.

Where is your favorite atlanta hang out?

Dunch at the E.A.R.L. is always nice. I only get to Atlanta once a year or so but always try to hit the Starlight, Highland Ballroom seems to be a nice addition, and of course, Youngblood.

What music/album are you currently listening to?

Mostly old things that somehow got by me. The Go-Betweens, Rotary Connection "Songs," Model 500 "Starlight," Gun Club "Fire of Love," some new stuff like the latest Animal Collective and Friendly Fires.

What is one thing you love about your life?

I have been extremely fortunate to live a very stress-free lifestyle for many years.

Not only does J have fun in the world of sound he is a talented artist: click here to view his work at David Lusk Gallery

Laurel Wells


Laurel Wells is a New York based designer and musician from the good ole ATL.

favorite local artist? Travis Pack

what album are you currently listening to?
Neil Young, and The Selmanaires

favorite local hang out?
Trader Vics and the Clermont Lounge

one thing you love about your life? "I love my new Greenpoint apartment!"

Laurel is currently involved in a number of creative projects:
www.laurelwells.com
Mia Riddle and Her Band
Leyode

Laurel Wells: The Interview

Fashion designer and born-and-bred Atlantan Laurel Wells turns 29 next week and tells The Atlanta Creatives Project how Seventeen magazine, Madonna, Cyndi Lauper, and--of course--Atlanta shaped her world.

What's your connection to Atlanta?
I lived there my whole life until I left to go to college. I went to school at the University of Georgia where I majored in painting, and then I moved back to Atlanta for a few years, and then I moved to New York.

How did growing up in Atlanta affect your work as an artist?
In two ways. One really superficial way being that coming from Atlanta, I really wasn’t exposed to a lot of stuff, cause now it’s kind of more of a cosmopolitan city, but when I was growing up, it wasn’t at all. I didn’t know about Saks. I had a subscription to Seventeen magazine and that was kind of my relationship to that whole world. ... I was a really creative person. I idolized Cyndi Lauper and Madonna in the 80s, but I didn’t know where you would buy things that were really fashionable, so I started making my own clothes when I was 14, just because I wanted to buy things I couldn’t find anywhere. So in a way living in Georgia helped my creativity.

And the second?
I think being a Southern women you really have these ideas about womanhood and about what a woman should be—that sort of Scarlett O'Hara influence that you constantly have kind of needing to feel ladylike, and since moving to New York, I’ve noticed now how not everybody has that. And that’s a specifically Southern thing.

Are you supporting yourself full-time as an artist?
I did support myself full-time with my business for the past two years, but now I am taking a break from my collection because I am designing for a company called Hayden-Harnett. I am their new apparel designer. So it’s my stuff, it just doesn’t have my name on it. So this collection for them will be out in fall 2008.

What can we expect from Hayden-Harnett's fall 2008 collection?
It’s really wonderful working for them because they really respect my ideas, so I pretty much have the freedom to do my own collection, but on a much better, bigger scale because I have more resources and better manufacturing. But stylistically, it’s cool, a tailored military style meets South American aesthetic. And I think it’s gonna be really, really good.

Has being in New York helped you artistically?
New York is such a great place of opportunity because you’re just physically close to so many people. In the fashion world, of course, things are going to happen a little more here than in Atlanta, but I think being any type of artist, New York is a great place to be. You might go to a bar and have a beer and meet someone who can change your life, and that didn’t really happen when I lived in Atlanta.

What are your thoughts on The Atlanta Creatives Project?
I’m always bragging about the amazing talent that comes out of Atlanta. Hopefully some day I can have a book on my coffee table and say, 'Look at all these people who came from this community.' I don’t know what the magical element is about Atlanta that causes so many creative people to come out of there. Maybe it’s because it’s not a big city.

You can get updates about Laurel Wells on her website and watch Hayden-Harnett (located in Laurel's current neighborhood of Greenpoint, Brooklyn,) for her fall 2008 collection.

BLACK LIPS represent ATL

we love our black lips
they were amazing on conan!!!
check it:
From:Black Lips
Date: Oct 11, 2007 12:22 PM

Blacklipsonconan
Now, we were pretty excited when we saw the opening graphic card with "Black Lips" on the Conan background, and when O'Brien introed the band saying "I love the music guest tonight...they're great," we got a little giddy, but when he held up that pretty vinyl and the boys launched into their rousing live rendition of "O Katrina!" we just about burst with pride. You can stream the entire episode for a month here (show aired October 9 for those not keeping score) and if you want to skip right to the good stuff, it's the second to last tick on the player around the 35 minute mark. And an enterprising youngster put a clip up on you tube, check it out:

Black Lips and The Selmanaires play NYC/BK

Last night the bands put on a great performance at the Music Hall of Williamsburg.

Article courtesy of C.J. Smith:
When the circus comes to town, everyone takes notice. But Wednesday night at Sound Fix Records in Brooklyn was not your typical Ringling Bros./ Barnum & Bailey event: In the center ring were garage-rockers Black Lips, who decided that a record store is a good a place as any to try and throw a circus.
The band is part of a thriving Atlanta indie-rock scene that also includes Deerhunter, Manchester Orchestra and others. Originally slated to be a simple in-store acoustic performance, the band decided to take it one step — OK, several steps — further, dubbing the event the "Black Lips Circus and Bad Kids' Parade." The band's shows are notorious for bad behavior both onstage and off — most famously involving several different kinds of bodily fluids, which the band has largely stopped doing — so the concept isn't much of a stretch. "It's always kind of a circus mentality of people being degenerates at our shows, so we decided to take it to the next level by inviting kids — not even at a show — to parade down the streets," Lips singer/guitarist Cole Alexander said of the event.
"We wanted to spice things up a little. It was kind of thrown together last minute, though," said bassist Jared Swilley — and that much was apparent. The circus part of the night was a tad bumpy due to a bunch of last-minute cancellations (including jugglers, ponies and a couple of other circus acts), but the band's acoustic set went ahead with burlesque dancers and a marching band that led the crowd into the streets for the second portion of the night, the "Bad Kids' Parade."
"We embody bad kids, and that's why we created the Bad Kids Circus, to parade down the streets, promoting juvenile delinquent behavior," Cole said of the parade. And while there was no overtly bad behavior along the parade route, it was nonetheless a rousing success. Fans poured from the record store, led by the Black Lips and the marching band, who played rousing anthems all the way to the Music Hall of Williamsburg, where the band hit the stage for a proper — well, kind of proper — show later in the night.

By the time the parade reached the venue, it had swelled to 200 or so people, complete with confetti launchers, fire-breathers, skateboarding bandmembers and fans in costume and face paint.
And the revelry only gained intensity when the band hit the stage for a typically rambunctious set. As the band tore through a set of fan favorites and songs from their brand-new fifth LP, Good Bad Not Evil, fans formed a giant pit, slam-dancing while crowd-surfers bounded from the stage.
Between the sweaty mess of bodies and beers being hurled into the air, barely a soul left the Music Hall dry.


The SELMANAIRES are: (from left to right) Herb Harris, Mathis Hunter, Tommy Chung, Jason Harris

Tommy Chung from Selmanaires answers:

favorite local artist? Bradford Cox from Deerhunter. Says Tommy, "All around creative personality...music, art, photography, graphic design (Cox has designed album covers for Black Lips and more recently The Coathangers). Its sometimes hard to make out lyrics at a Deerhunter show, but on top of all that, he's also an incredible singer."

what album are you currently listening to?
"Tender Buttons" by UK band Broadcast. Constantly on standby: Can and 70's funk. CCR makes great driving music!

favorite local hang out?
Manuel's Tavern.

one thing you love about your life? People in ATL. Despite how much its grown, there's still a small southern town feel. &nb sp;

*************************************************************************************

Upon moving from Austin to Atlanta in 2000, twin brothers Herb and Jason Harris met Tommy Chung, and the trio had their first band practice at 73 Selman Street, the location from which they took their official title of the Selmanaires. The group played their first gigs after learning a slew of Rolling Stones and Stooges cover tunes on which they would let their drunken basement party audiences sign up to take turns at the mic stand. The Selmanaires’ original sound tread on quieter acoustic territory that featured stand-up bass, bongos, and a Wurlitzer, but the trio noticed their audience was more responsive to the rockers that closed their sets. Several years and equipment adjustments later, the Selmanaires added multi-instrumentalist Mathis Hunter to the line-up and released their debut record Here Come the Selmanaires in 2005. The band generated significant buzz and a solid following in their home state as a result of their impressive first effort that was built on the gorgeous vocal harmonies of the three originating members, as well as their affinity for the eccentric ass-shaking of late-seventies new wave artists like Devo and the Talking Heads. The band has just finished recording their sophomore release, and is gearing up for the Zig-Zag Live Fall Tour with the Black Lips.

Story by Andrew Lutwin
courtesy of Zig Zag Live
Thanks, Taylor

Stay tuned for Aaron's interview of the band!

Dosa Kim: The Interview


Thirty-one year-old Dosa has lived in Atlanta for 17 years and says he can’t imagine abandoning the city that gave rise to his creativity. He started his career in graphic design at the Art Institute of Atlanta, and then went to the University of Georgia for computer animation. His work can be starkly simple, as with his famous black and white bunnies humping, or haunting, as with his graphic novel-like prints. --Erin Behan

Dosa, is that your full name?
It’s Andrew Dosa Kim. Dosa is a Korean name, and it's funny because it's my dad's nickname in Korean, and most Korean people have a hard time calling me that because it means guru or master. … When I was in Korea—I was born in the states—I lived in Korea in the summers. They would really pick on me. They'd really kick my ass.

How did you end up in Atlanta?
I used to live in Knoxville, Tennessee—born in Knoxville, Tennessee--and my parents ended up getting into manufacturing. And they bought out a manufacturing plant in Atlanta. And, we ended up in Atlanta from there on.

What school did you go to?
I went to a Christian school all the way through my freshman year, and then I went to public school—Roswell High School.

How has Atlanta influenced your art?
[During the interview Dosa is wearing a T-shirt of his own design that mocks the KKK.]
Atlanta's locked in the tradition. The South is locked in tradition. The unwillingness to accept new—the struggle—is where the artwork comes from. It's not for the sake of being different. It's more on the content. The impetus [in the art world] is on content in the South, instead of technique or style. I think the struggle is on a very social level. I can look at you in the South—I can look at you, the skin, color, and because of that I don't want to do business with you, I don't want to talk to you. Those are the struggles of the South. … Because of that, that's why I feel I need to stay in Atlanta. It's more important. New York and L.A. have the tendency to drag all the creatives out of the South because [the cities] are not open to new ideas, but there are a few of us who are sticking around and we really want to push our message across.

Have you gotten any reactions?
I did this one thing at Apache Cafe. They invited me for Black History Month, and the first print I did was this black kid getting lynched. And the whole audience is all black, and I'm the only Asian there. And I think they were about to lynch me, and they were really angry about that piece. And I got up on stage, and they're all booing, and I had to explain what all these art pieces meant. And they're all different war images … So I get up on stage and say, “You guys think it's all great that you're on MTV, making money, lawyers and doctors, but this is less than 100 years ago, your grandparents saw this, and your parents probably saw this. The one thing the Jewish community hasn't done, they haven't forgotten the Holocaust, but the black community, you guys, don't remember the pain. It was less than 100 years ago, and it can easily happen again.’ I think a lot of my stuff has to deal with pain and remembering the past. I had this one piece, this one art show, I did this whole Nazi series. Nazi monkeys. Actually a Jewish lady bought that piece. That caused a lot of commotion too. The one I'm known for is this black rabbit humping this white rabbit. I don't think it could ever be done more poetically. It's very interracial, but it's very cute. It's the same design, the exact same rabbit. It's so simple. A few lines and a few pieces of color--trying to break down these barriers.

Do you support yourself as an artist?
I do T-shirts for Soul Monkey. Help people brainstorm ideas. I'm realizing ideas—they're not a dime a dozen--ideas are golden. If you have a strong beginning, you have a strong finish.

What do you like best about Atlanta?
I like it's because it's a city you can get away from. You can be in the city, but not be in the city.

Favorite place?
My backyard.

Tell me what you think about the whole project, the Atlanta Creatives Project.
I think it's a good idea. It's really funny, every time I travel outside of Atlanta, people are always wondering what Atlanta's doing. Atlanta is really hot right now, but nobody knows what's going on. There's a feeling of trendiness to it. Like MTV for example, it's not about the music, it's about the medium. They control that whole sphere of influence. Same way with all these art magazines, Juxtapoz, Beautiful/Decay, and these weird trends. They are controlling the trends. Before you know it you have the same stuff. … And with Atlanta, it's not like that. We're kind of just doing our own thing. In fact, we made it a point to not even look at those magazines.

Why is Atlanta different?
It's the way Atlanta's spread out, and it is the lack of organization. It's really funny, seeing how you and Neda are from Atlanta, you live up here, you guys are really focused. I think a lot of kids who are native to Atlanta are kind of complacent. It takes someone from outside to motivate them.

Will it bring things together?
It has to be done. It's just a matter of time--who is going to do it. We're trying to do a show, Sons of the South. We're going to the same art shows, we're doing the same thing, but we never sit down and talk. I'm just a piece of the puzzle, but if you can see the big picture--I'm pretty sure it's an amazing picture. I feel like those three blind men and the elephant. … It's something big, just nobody's put it together yet.

Why isn't Atlanta better documented?
I've come to the conclusion there's no channels of media in Atlanta that covers what we do. There's nobody that's setting the standards or documenting what we're doing. Anywhere in California, someone's publishing it, putting it on the web, it's being documented. They know who the players are. Even New York. Nobody's documenting Atlanta. That's probably the biggest travesty of Atlanta. I'm one of the few who is making the cut, because I put it in my own hands. … The nightlife scene heavily influences the art scene—that kind of passion, that kind of pure passion. If nobody's covering that stuff, it really doesn't matter. … It's all word of mouth. It's a small city mentality in a town of 5 million people. It's some funny shit going on. I don't really understand it.

To see Dosa's work, check out:
Sneakerpimps Atlanta
live art installation by DOSA on Sept. 22
Atlanta Contemporary Art Center

When Robots Ruled The Earth
opening Sept 28th 7-11 p.m.
Gallery at East Atlanta Tattoo

Underdogs Art Auction
Sept 29 7-11 p.m.
Soap Box Studios

september/october/november shoots

as many of you know... i live in NYC and ATL... so the shoots will take place in both cities. its great, considering how often some of you travel here.

so...
let me know if any of you will be in NYC before october 15th... i'll be heading to the ATL for a couple of weeks on october 18th to shoot a bunch of you...

i will also be back in atl for a week in november.

shoots in tha' works

september in NYC:
dosa kim
laurel wells
the selmanaires

october in ATL:
bethany marchman
stephen dixey
roel daves III
charlie owens
josh latta
ana balka
michi
the coathangers
evereman

november in ATL:
film makers of atlanta: sargent peppers project